Two final questions, if I may: What drawing/drafting program did you use? And did you use a formula for coming up with the 6' 1 1/2" length. The maximum span for a 2×6 rafter on a shed roof could be around 10 to 12 feet, depending on factors like the roof pitch and load distribution. You might consider making some type of brief presentation. The 22.5º angle is easy enough to understand, and I'll guarantee you that there are thousands of people on YouTube which would give anything to see your drawing. Use this simple top cord truss calculator to estimate your rake (rafter) length for your next project’s roof sheathing requirements. They did not touch each other when placed in the jig. In fact, when I attempted to shorten it 1/8" on each cut, the pieces appeared too short. We choose to use gussets made from birch plywood which were nailed and glued to the rafter trusses, which were made in a jig to keep. What an amazing tool We milled our own timber for our rafters and post and beam barn structure which built on our property here in Ireland. Roof pitch between 15 and 22. Maximum clear span of rafters in metres for roof pitches of between 15 and 45 degrees Roof pitch between 15 and 22.5 degrees with rafter spacing strength class C16. I even built a jig and placed guides (stops) in order to assemble a truss that would guarantee me a 16' span. Thanks so much to for the Gambrel roof calculator. Timber sizes and construction details for pitched and rafter roofs. Generally, 2x8 to 2x10 are common choices. By co-incidence, in desperation I made a physical layout on my barn floor and came up within 1/8 of an inch of your answer of 6' 1 1/2". The size of lumber depends on factors like span, load, and local building codes. Your drawing was worth more than a thousand words. I've spent every minute working on my barn. I apologize for not acknowledging your answer sooner.
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You’re attracted to the unconventional, be it in art, politics, or spirituality, but you’re also susceptible to the chaos and uncertainty that come with living on the edge of societal norms. You can almost feel changes in the air, and you’re usually ahead of the curve when it comes to understanding what those shifts mean for the broader world. You’re likely sensitive to trends and shifts in collective consciousness. You may sometimes feel torn between wanting to escape reality through daydreams or creative outlets and a drive to enact sudden changes in the real world. Your idealism is sky-high, which is great for inspiration but not always practical for everyday life. For example, you might be drawn to cutting-edge artistic expressions, spiritual movements that have a futuristic twist, or social activism that aims to radically reimagine the world.īut there’s a flip side: This Uranus conjunct Neptune aspect can also make you prone to confusion or feelings of being disconnected from reality. Social causes, spirituality, and technology might fascinate you, and you could be interested in blending these elements in creative ways. You’re someone who’s drawn to ideas that are both revolutionary and dreamy. When these two are conjunct, or side by side in your birth chart, you get a unique blend of inspiration and rebelliousness, all wrapped up in one package. Uranus is all about breaking the mold and pushing for freedom, while Neptune focuses on imagination, spirituality, and our inner worlds. Having Uranus conjunct Neptune in your natal chart is like having a meeting between the planet of sudden change and the planet of dreams. ![]() Let’s dive into Uranus-Neptune aspects in the natal chart on both a personal and a generational level. Think cultural revolutions, technological breakthroughs, and seismic shifts in spirituality and philosophy. When an entire generation shares a Uranus-Neptune aspect, we’re talking about collective shifts that can change the course of history. You’re the kind of person who dreams big but also feels the urge to shake things up, to make those dreams a reality. On a personal level, a Uranus-Neptune aspect in your chart can make you a unique mix of visionary and realist, intuitive and intellectual. These aspects aren’t just about you they often define entire generations, shaping collective dreams, ideals, and revolutions. Welcome to the fascinating world of Uranus-Neptune aspects in the natal chart. ![]() ![]() Halle, can you share a little bit about your work as a Knauss Fellow? ![]() HOST: I am so happy you mentioned crabs, Dita, we are definitely going to come back to that. We also keep different species of crab in our aquariums to discuss this with guests. I love how you can look at their physical adaptations to figure what habitats they use or how they get their food. One of my favorite topics is crabs as they are such a diverse group of animals. Our programming covers a huge range of topics from plankton to watersheds. I work with a variety of audiences from kindergarteners to retirees sharing my passion about estuarine animals and their habitats. I take the work that the researchers and staff do at the reserve and create activities and programming for the public. Thank you both for being here, Dita and Halle! Dita, can you maybe kick us off and tell us what you do at the Rookery Bay?ĭITA O'BOYLE: Sure, estuaries are important areas where the river meets the sea and act as nurseries for numerous marine animals. Our guests today are Dita O’Boyle from the Rookery Bay National Estuarine Research Reserve and Halle Berger, a 2021 Sea Grant Knauss Marine Policy Fellow. Sometimes smaller fish also use the urchins for safe shelter from predators while moving throughout the reef. Now crabs are not the only marine creatures to benefit from the urchins' sharp spines. The crab is built with two back legs that are especially adapted to grab anything from debris, corals, and even sponges. In return for it’s protection, the sea urchin is able to find food more quickly and effectively when traveling with the crab. This crab can carry fire urchins on their backs and when confronted with a predator, the crabs have been known to wield the spiny urchins, like a weapon. The crab in this episode is most likely a carrier crab, or it is also known as the “urchin crab”. The urchin relies on the crab, just as the crab relies on the urchin.īefore we begin our chat, let’s set the stage for the deep dive. The two invertebrates featured have a large amount of diversity in the two groups with over 6,000 different species of crabs and 950 species of sea urchins. Shellington explains to Captain Barnacles that the crab and urchin are symbiotic, meaning that they have a mutually beneficial relationship, and need each other for food and protection. ![]() A snail tells them that a green-blue crab and an orange sea urchin are arguing loudly and keeping all the sea creatures up. This podcast is hosted by NOAA’s Office of Education and the Coastal Ecosystem Learning Centers network. For today's podcast, we are talking about the Crab and the Urchin Octonauts episode. It's bedtime for the Octonauts until a knocking sound wakes up Kwazii and Captain Barnacles. HOST: Our monthly podcast brings together experts from inside and outside of NOAA to help you - and the children you care about - learn more about the real-life versions of the Octonauts sea creatures and the ocean they call home. MUSIC: Explore! Rescue! Protect! Octonauts! Their mission: to explore the world’s ocean, rescue the creatures who live there, and protect their habitats. HOST: You’re listening to "NOAA & the Octonauts" - an episode-by-episode discussion of the children’s TV show The Octonauts, which features a crew of quirky and courageous undersea adventurers. MUSIC: Octonauts, to your stations! Barnacles! Kwazii! Peso! ![]() ![]() I will redraw his sprite for the game soon since it's been a year since then. The first LI for our game Liberte x Destin! my first every character that I designed for the game. His heart longs for liberation from the shackles of his family's expectations, yearning for a life unburdened by the weight of his lineage. Rather than relishing in his exceptional talents, he perceives his predetermined destiny as an unwelcome burden. Consequently, the relentless pressure forged him into a figure of excessive stoicism and directness while hiding something behind that sharp gaze of his. With each milestone in his magical abilities, the Verelli family intensified the challenges, pushing him beyond his limits. This exceptional gift, however, became a double-edged sword as his family, recognizing his potential, subjected him to rigorous training. Outshining even the most adept spellcasters in his family during childhood, he displayed an innate prowess for ice magic that set him apart. And I refused to be used!” – Luca Born into the esteemed Verelli lineage, renowned for generations for their gifted mages, he emerged as an extraordinary talent from a young age. “My power might be the key to saving the world, but I am not a tool. Liberte x Destin Love Interest: Luca Verelli I enjoyed designing Higanbana, he was inspired by Johan Liebert from Monster although I couldn't capture Johan's charming but mysterious smile that much, maybe someday I can! I also made him pretty like a butterfly which explains the thing on his head and his very flashy kimono /end As Higanbana immerses himself in the rigorous training of future magical defenders, he must navigate the intricate web of political machinations and the looming shadow of an ancient adversary. In a bid to escape this relentless destiny, he sought refuge in the Tower, where he discovered a new purpose-training aspiring mages to confront the imminent threat of the Unseelie resurgence. ![]() Throughout his life, Higanbana has been the focal point of attention for influential figures, consistently entangled in perilous situations due to his unique gift. But that’s what makes the world so interesting” – Higabana Higanbana, a free-spirited individual graced with captivating beauty, is also a prodigious mage endowed with the extraordinary ability of mental domination-one of only two individuals in history to possess such a rare talent. Liberte x Destin Love Interest: HIGANBANA Stay tuned for more updates, and thank you for your ongoing support! We're excited to show you our characters and the story! Hopefully, you can date them on March 15! Our next course of action would be adding UIs! Unfortunately, a certain character won't be able to make it to the demo, but there will be a sneak peek of him! Stringing the events together has proven to be surprisingly challenging, but we're tackling it head-on and making great progress. Balancing development priorities is always a challenge, but we're committed to delivering the best experience possible. We're crossing our fingers that everyone will love the updates!Īs much as we'd love to use new sprites for the main characters, we've decided to stick with the old ones for now to avoid delaying the demo release. We've been hard at work adding new character sprites for minor characters and refining the dialogue. Exciting news! We're halfway through completing the demo for our game. ![]() ![]() You realise later that every single moment, bar little throwaway jokes, is meaningful or additive it contributes to the overall story, the relationship between Henry and Delilah (which can't be separated from the story, regardless of which direction it goes in) and the evolving atmosphere. ![]() It's too short - or rather, it's so well edited. It's going to be crazy difficult to talk about without spoilers. Sherif: I've been writing some notes but they all end with me having to spoil things, which I would rather I didn't.īrenna: I sat up all night with it. Here's their correspondence, censored for spoilers of story elements beyond the first few minutes. There're some environmental puzzles and in-world story telling, but the real takeaway is the experience as a whole.īrenna and Sherif both played Firewatch and couldn't agree on who should write the review - or what they could possibly say without spoiling a very special game. Your main character (Henry) talks with the game's other character (Delilah) almost all the time. The only battle now is how not to ruin it for everyone else.įirewatch is a game about exploring a beautiful canyon, getting to know interesting characters, and chasing an escalating mystery. Whether that makes for a good “game” is another question.Firewatch was supposed to polarise Team VG247, but the verdict came back unanimous on this indie gem. I think the game succeeds in what it tries to do, in that regard. The game works hard at instilling these same feelings in you, the player, by giving you what you think is going to be a mystery and adventure but it turns out it’s more mundane and unresolved and it ends kind of abruptly and unsatisfactorily. His adventure with her stopped halfway through and it left him feeling unfinished, unsettled, cheated, depressed, etc. His life with his wife went off the rails. I think it’s an intentional storytelling choice, not poor plotting: Think about the main character and what brought him to the forest. The more I thought about it, though, the more I appreciated the reason the game doesn’t come together in the way we wanted and expected. I felt the same after finishing my playthrough. What’s the point of putting the player through an adventure if it stops halfway through? I get why people like this game but in all honesty, the fact that it is halted in such an awkward and unrewarding place makes the whole thing not worth it in my opinion. Hell, it feels like one of those games where you get a free first episode and then pay for the rest. What's the point of putting the player through an adventure if it stops halfway through? Because that's what it felt like. The abrupt "resolution" is lackluster and feels rushed. You're forced to just sit and wonder why this and that happened, and shrug your shoulders. Surely there had to be more? There were so many questions to be answered, so many mysteries to be solved! Nope. I progressed through the game, really excited to tie everything together, figure out what that mysterious cabin was for, why that fire happened, et cetera. ![]() They seemed to be clues, pieces to a larger puzzle. The exploration was amazing as well, I discovered so many interesting, mysterious things. It felt like I was talking to a close friend. I really enjoyed the character(s?) and the friendship I built. It throws you into the rocky terrain of the forest, aided only by a companion from afar. And for 90% of my playthrough, it lived up to that standard. I decided to give Firewatch a shot since I've seen it praised as being the pinnacle of modern walking simulators. Please use flair to display what games you’re currently playing, not a punch line, username, tag, URL, or signature. New, mobile-friendly spoilers can be posted using the following formatting: Want to play online in a dead gaming community? We expect you to know these rules before making a post. Please click here to see our current rules. We no longer maintain our posting rules in Old Reddit. Join our Discord Join our Steam Group Posting Rules Whether it's price, waiting for bugs/issues to be patched, DLC to be released, don't meet the system requirements, or just haven't had the time to keep up with the latest releases. A gaming sub free from the hype and over saturation of current releases, catering to gamers who wait at least 12 months after release to play a game. ![]() He charged astronomical prices that shocked even the most well-heeled socialite, and once spent $20,000 on perfecting the fit of a sleeve. Not many could cope with his prices, either. James once dismissed a prospective customer with the words, “I couldn’t possibly make anything for a frump like you.” Legendary photographer Cecil Beaton attended Harrow with James, and wrote in his diary: “His talent was marvellous his wit bitter… No one could cope with his temperament for long.” His talent was tempered by a foul temper and a mean streak. He beat Diane von Furstenburg to the wrap dress by about four decades – the Taxi dress, held together with a few hooks, was envisioned to be so simple a woman could slip it on in the back of a cab. His inventions included a down-filled puffer jacket (which Dali applauded as a “soft sculpture”) and an early version of the sports bra. His persistence and dedication were the stuff made of legends: he sometimes locked his staff into the studio overnight if he thought they weren’t working hard enough.īut it wasn’t just old-fashioned ball gowns and frocks: James was also an inventive visionary. If not for his technical wizardry, his dresses would have been unwearable – but society ladies glided across the dancefloor with ease. He mixed velvet, satin, taffeta and tulle and was a master of cut and cloth. (It also looks, when viewed from above, exactly like a four-leaf clover.) A 2011 show at the Chicago History Museum resorted to CT-scan technology to explain how his dresses worked.Ī master manipulator, James was also combining textiles and distressing materials long before it became trendy. His masterpieces were often unfathomably complex: his most iconic dress, the Clover Leaf ball gown, weighed ten pounds and used thirty pattern pieces alone. (Coco didn’t have to pay, but Elsa did.)īut James wasn’t just a dressmaker to the stars he saw himself as an artist and a sculptor. ![]() Even other designers came running: Elsa Schiaparelli and Coco Chanel put in orders for his creations. As he once told a friend, he took to fashion “out of a compulsion to be involved in a business of which my father disapproved”.Īs he leapt from hat-making to dresses, he was championed by Diana Vreeland and dressed the crème de la crème of American high society, including Hollywood stars like Marlene Dietrich. ![]() In the 20s, the openly gay designer moved to Chicago to escape the wrath of his homophobic father, beginning his career as a milliner to society ladies of the Windy City. James is often cited as America’s first (and greatest) couturier, though he was actually British and was born in 1906. “To the fashion specialist, everyone knows him, but to the audience at large, he is one of those names that, because he doesn’t have a surviving label or brand, is forgotten', says Harold Koda, curator in charge at the Costume Institute. Christian Dior called him the “greatest talent of my generation”, and the basis for Dior's revolutionary New Look. He’s the new subject of the Metropolitan Museum’s annual fashion exhibition, and his work is meant to inspire the celebrities who will flock to the red carpet for tonight’s Met Gala. Many historical references in shapes and construction, especially the drapery forms of the 1870s and early teens, are also prevalent throughout his work.Cristóbal Balenciaga praised him as the “only one in the world who has raised dressmaking from an applied art to pure art”. Many of his pieces are conceived asymmetrically and possess a sense of movement and vitality that is a signature characteristic of his work. Also a perfectionist, he worked for years on refining certain seam lines, shapes and constructs that particularly expressed his vision of artistry through rigorous engineering. A master of the relationship between form, color and texture, he often heightened the drama of his evening wear by combining several like fabrics of different colors, or different fabrics in like colors but with different light reflective qualities. He manipulated fabrics into dramatic shapes using complex seaming and sometimes complicated understructures to create his singular vision of timeless elegance. ![]() James saw himself as an artist and sculptor of dress rather than a dressmaker. Personally draping and constructing the garments that bear his label, he is considered to be the only American to work in the true couture tradition. 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